MAA, France
Based in Tokyo
Through layering of sprayed oil paint, Thomas Gillant’s works interplay between flat surface and perceived depth. While maintaining smooth physical surfaces, the paintings create ambiguous optical dimensions with gestural marks and coordinated colors. His work blurs the lines between painted and digital aesthetics, and addresses the perception of pictorial space.
スプレーで吹き付けた油絵の具を重ねることで、トマ・ジランの作品は平らな面と奥行きの錯覚の間で相互作用を生み出します。物理的な表面は滑らかでありながら、身振りを表すような筆跡と調和した色彩により、曖昧な視覚的次元を作り出しています。彼の作品は絵画とデジタルの美学の境界線を曖昧にし、絵画空間の知覚について問いかけています。
Recent exhibitions :
2025 / Cross-medium / Hectare (Tokyo)
2024 / What’s inside / LOWW (Tokyo)
2024 / Playing the angles / Kameido Art Center (Tokyo)
2024 / Bermuda / Loop Hole (Tokyo)
2024 / Motion of works / Ps.kot (Amsterdam)
2024 / Layer by layer / Yu Harada (Tokyo)
2024 / Dimension Blur / TOH (Tokyo)
2023 / Asyl / Paichyu (Tokyo)
2023 / 爽籟 (SOURAI) / Sukiwa (Tokyo)
2023 / Roots of Day - Dying on the Vine / JC Gallery (London)
2023 / Dawn till dust / UltraSuperNew (Tokyo)
2023 / Black of all colors / KTO Gallery (Tokyo)
2022 / Void Motion / Kameido Art Center (Tokyo)
2022 / IN/TANGIBLE / Art for Thought (Tokyo)
2022 / Every lining has a silver cloud / KTO Substitute (Tokyo)
2021 / Art Byte Critique Show / Launchpad (Yokohama)
2021 / Epic painters / The Blank Gallery (Tokyo)
2020 / Shift operation / Cave Gallery (Tokyo)
2020 / Interactive Youth / Gallery Hinoki (Tokyo)
Other participations :
2024 / Vietnam Contemporary Art Fair (Ho Chi Minh City)
2024 / Isetan Tachikawa Art 100
2024 / Art Fair 365 (Osaka)
2023 / Isetan Tachikawa Art 100
Based in Tokyo
Through layering of sprayed oil paint, Thomas Gillant’s works interplay between flat surface and perceived depth. While maintaining smooth physical surfaces, the paintings create ambiguous optical dimensions with gestural marks and coordinated colors. His work blurs the lines between painted and digital aesthetics, and addresses the perception of pictorial space.
スプレーで吹き付けた油絵の具を重ねることで、トマ・ジランの作品は平らな面と奥行きの錯覚の間で相互作用を生み出します。物理的な表面は滑らかでありながら、身振りを表すような筆跡と調和した色彩により、曖昧な視覚的次元を作り出しています。彼の作品は絵画とデジタルの美学の境界線を曖昧にし、絵画空間の知覚について問いかけています。
Recent exhibitions :
2025 / Cross-medium / Hectare (Tokyo)
2024 / What’s inside / LOWW (Tokyo)
2024 / Playing the angles / Kameido Art Center (Tokyo)
2024 / Bermuda / Loop Hole (Tokyo)
2024 / Motion of works / Ps.kot (Amsterdam)
2024 / Layer by layer / Yu Harada (Tokyo)
2024 / Dimension Blur / TOH (Tokyo)
2023 / Asyl / Paichyu (Tokyo)
2023 / 爽籟 (SOURAI) / Sukiwa (Tokyo)
2023 / Roots of Day - Dying on the Vine / JC Gallery (London)
2023 / Dawn till dust / UltraSuperNew (Tokyo)
2023 / Black of all colors / KTO Gallery (Tokyo)
2022 / Void Motion / Kameido Art Center (Tokyo)
2022 / IN/TANGIBLE / Art for Thought (Tokyo)
2022 / Every lining has a silver cloud / KTO Substitute (Tokyo)
2021 / Art Byte Critique Show / Launchpad (Yokohama)
2021 / Epic painters / The Blank Gallery (Tokyo)
2020 / Shift operation / Cave Gallery (Tokyo)
2020 / Interactive Youth / Gallery Hinoki (Tokyo)
Other participations :
2024 / Vietnam Contemporary Art Fair (Ho Chi Minh City)
2024 / Isetan Tachikawa Art 100
2024 / Art Fair 365 (Osaka)
2023 / Isetan Tachikawa Art 100